2023 Issue #6
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From the Editor: Reflections on Seizing Our First Year by Jonny Pickering
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‘She Cradles Her Son Beneath the Aspen Trees’ by Angeliki Radou
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‘Glass Pet’ by Ivy Grimes
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‘To Replace a Broken Heart’ by Lyndsey Croal
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‘They Say the Sky Was Blue Once’ by Rebecca Birch
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‘The Golem’s Joy’ by Zachary Rosenberg
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“Holy Water” by AN Grace
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“Little Screams” by S. M. Hallow
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Báthory: from the Witch’s Bite to the Vampiress’ Fangs by Rosemary Thorne
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The Best Sci-fi, Fantasy and Horror at London Film Festival By Liam Macleod
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Destituent Power and Divine Economy in Elden Ring by Simon McNeil
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Book Review: Antifa Splatterpunk edited by Eric Raglin – Review by Zachary Gillan
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Book Review: The Secret Goatman Spookshow and Other Psychological Warfare Operations by Jonathan Raab – Review by Zachary Gillan
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High Tech, Numb Life: An Interview with Mário Coelho, author of Unto the Godless What Little Remains
2023 Issue #7
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From the Editor: Making Fiction Uncomfortable Again by Jonny Pickering
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“You Forever” by Maxine Sophia Wolff
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“Claimed for a Higher Purpose in the True Glory of the Universe for Our Lord” by Andrew Kozma
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“The Last Sound of the Moon” by Gessica Sakamoto Martini
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“Endless Yearning” by Judith Shadford
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“MYCOPHILIA” by C.B. Blanchard
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“Canonical Victims” by Carson Winter
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I Want to Feel You from the Inside: A Review of Cronenberg’s Crimes of the Future by Josh Pearce
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Something Bright and Brittle: Transobjectivity and Aesthetics in the Matrix, The Invisibles and The Wicked + The Divine by Jean Brigid-Prehn
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Capitalism and the Labour of Art: Getting Paid in the Automation Age by Emmie Christie
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A Haunted Way of Life: Zachary Gillan reviews The Marigold by Andrew F. Sullivan
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Contextualising the Uncanny: Zachary Gillan reviews The Wishing Pool and Other Stories by Tananarive Due
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Composite Entities: an interview with Rebecca Campbell, author of The Talosite